Tuesday, April 17, 2018 • Doors 8pm • Show 9pm
Show is all ages. Attendees under 18 must be accompanied by a parent. If you are under 21 you are subject to a $3-5 surcharge depending on the show. The surcharge must be paid in cash at the door on the day of the event.
What is the new magic of music? If you trace the path of a plan back to its beginnings, what do you find? Is it a tree, growing from seed with deep roots planted in fertile soil, branches arcing out in all directions? Or a spark in the dark, an electrical charge? Is it a waterway, with swirling currents raging to create a river? Or is it a snowflake, falling from on high and dropping down to earth with a singular splash?
For Son Little, the genesis of a musical idea — the magic — remains largely a mystery. But his kinetic ability to summon that energy all the same, to command it, hold onto it, and set it in motion, is the stuff of alchemy.
"The magic is this well I can draw from; you can't necessarily see it, you just have to believe that it's there," he says. "If you believe, then you can reach your hand down in there and get it wet. But if you don't feel like it's there, it won't be."
Son Little, the singer and songwriter born Aaron Livingston, is the easygoing musical alchemist of our time. He is a conjurer, and much like those of his heroes Stevie Wonder and Jimi Hendrix, his songs are deconstructions of the diaspora of American R & B. Deftly he weaves different eras of the sound — blues, soul, gospel, rock and roll — through his own unique vision, never forced, always smooth, each note a tributary on the flowing river of rhythm and blues. The currents empty into an estuary, and into this well water Son dips his bucket — trusting innately in the magic's existence. And now, with his second full-length album, New Magic, he has delivered a profound statement, a cohesive creation that captures the diverse spirit of American music in a fresh and modern way.
An intriguing swirl of electronics, warm chamber-pop, and rock n’ roll, Brooklyn quartet Howard released their new single, “Mother’s Wedding.” Taking cues from the winsome sounds of Athens' Elephant 6 collective to Amnesiac-era Radiohead and the distant lullabies of the Everly Brothers—it all coalesces to form a sound that is truly its own. Their upcoming album I(2018) follows 2015's hushed bedroom-recorded debut Religion and last year's experimental and electronic Recycle EP, all documenting Howard's continued sonic evolution towards new and thrilling territory.