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"The band that Mathis assembled for the live shows is a force unto itself." -Live For Live Music, September 2016

While on tour with various projects over the past few years, bassist extraordinaire Reed Mathis spent his spare time rearranging Beethoven (Symphonies 3 and 6), recording each newly reimagined movement with a long and impressive “who’s-who” list of his musical brethren, including Phish’s Page McConnell and Mike Gordon, Marco Benevento, Joe Russo, the Barr Brothers, Robert Walter and Galactic’s Stanton Moore.

The resulting double album, “Beathoven,” was released this past September on Royal Potato Family records, to swifter than expected sales.  When imagining what it would be like to tour these Beethoven masterpieces, Mathis rearranged his rearrangements a second time, this time welding Beethoven’s motifs and melodies to modern-era dance beats, with plenty of waypoints for the musicians to jump off into heavy, full-band improvisations. It takes Beethoven and places his music in a modern context of improvisational, jam-heavy, dance music - hence, the world’s first CDM (“classical dance music”) band.

While the album’s many special guests will show up at various shows along the way, to tour the album for the next two years, Mathis assembled his very own dream team: Jay Lane (Primus, Ratdog) on drums, Todd Stoops (RAQ / Kung Fu) on keyboards, and Clay Welch — a young guitar phenom who literally grew up studying Mathis as a bass player while following Mathis’ then-band, Jacob Fred Jazz Odyssey, from show to show as a fan.